Panasonic Lumix S5IIX + Lumix S 24-60 mm F2.8 – Full Frame Kit
The Panasonic Lumix S5 IIX kit with the Lumix S 24-60 mm F2.8 lens is designed for video creators who need a professional workflow without leaving the compact body of the S5 range. The S5 IIX shares the same sensor and focusing system as the S5 II, but adds internal ProRes recording, RAW video output over HDMI, and live streaming functions, all in an elegant matte black finish. Combined with the constant-aperture 24-60 mm F2.8 lens, it forms a system ready for audiovisual production, interviews, documentaries, and live content.
Key specifications of the Lumix S5 IIX + 24-60 mm F2.8 kit
| Feature | Detail |
|---|---|
| Sensor | 24.2 MP Full Frame CMOS with phase-detection hybrid AF |
| Professional recording | Internal ProRes 422 HQ and external SSD recording, RAW output over HDMI |
| Included lens | Lumix S 24-60 mm F2.8, constant aperture |
| Combined weight | Approx. 1284 g (body 740 g + lens 544 g) |
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Description
Key features of the Lumix S5 IIX + 24-60mm F2.8 kit that you should know before buying it
The Lumix S5 IIX features the same 24.2MP sensor and 779-point hybrid phase-detection autofocus system as the S5 II, but adds direct recording to external SSDs via USB-C with ProRes 422HQ and ALL-Intra 4:2:2 codecs, as well as HDMI RAW video output compatible with Atomos and Blackmagic recorders. It also includes live streaming tools using the RTMPS protocol, configurable from the LUMIX Lab app, and native integration with Frame.io's Camera to Cloud to streamline workflows. The Lumix S 24-60mm F2.8 lens boasts a 14-element, 12-group construction, is weather-sealed against dust, splashes, and freeze, and features a dual-function focus ring especially useful for smooth exposure adjustments during recording.
Is the Lumix S5 IIX + 24-60mm F2.8 kit the one you need?
This kit is a surefire choice for professional videographers, documentary filmmakers, and live streamers who need high-quality codecs, RAW output, or SSD recording without relying on additional accessories. If your priority is photography or you don't need these advanced video features, the equivalent kit with the Lumix S5 II offers the same sensor and autofocus system at a more affordable price.
Lumix S5 IIX vs. Lumix S5 II and Sony A7 V
| Feature | Lumix S5 II | Lumix S5 II | Sony A7 V |
|---|---|---|---|
| Sensor | 24.2 MP | 24.2 MP (identical) | 33 MP partially stacked |
| Maximum burst | 9 fps (mechanical shutter) | 9 fps (identical) | 30 fps (electronic shutter, no blackout) |
| ProRes Recording / External SSD | Yes, ProRes 422 HQ and ALL-Intra on SSD | Not available | Not available |
| 4K Video | C4K/4K 60p 4:2:2 10-bit, unlimited recording | Identical to S5 IIX | 4K 60p oversampled from 7K, 4K 120p in Super 35 crop |
| Body weight | 740 g | 740 g (identical) | Approx. 695 g |
The Lumix S5 IIX stands out from the Sony A7 V with its professional ProRes and ALL-Intra codecs on an external SSD and its active thermal management for unlimited recording time, while the A7 V offers significantly faster burst shooting and higher image resolution thanks to its partially stacked sensor. The choice between the two depends on whether you prioritize a professional video workflow with RAW output and integrated streaming, or faster photo capture speeds.
The Lumix S5 IIX is designed for those who already work with demanding post-production workflows and want professional codecs without resorting to external recorders; the S5 II maintains the same photographic and focusing capabilities at a more accessible price when these advanced video functions are not essential.
Strengths and weaknesses of the Panasonic Lumix S5 IIX + 24-60mm F2.8 kit
| Strengths | Points to consider |
|---|---|
| Direct ProRes and ALL-Intra recording to external SSD | Higher bitrate codecs require a compatible external SSD drive |
| RAW output via HDMI for external recorders | Features geared towards video; the extra cost offers no advantages in pure photography |
| Integrated live streaming via RTMPS | The 24-60mm F2.8 lens does not cover long telephoto lenses |
| Discreet matte black finish for professional productions | Requires DMW-XLR2 or DMW-XLR1 adapter for professional 4-channel audio |
Full technical specifications of the Lumix S5 IIX + 24-60mm F2.8 kit
| Specification | Detail |
|---|---|
| Sensor | 24.2 MP Full Frame CMOS, Dual Native ISO |
| Autofocus | Phase hybrid, 779 points, recognition of people, animals and vehicles |
| Video | 6K Open Gate at 30p, C4K/4K at 60p 4:2:2 10-bit, ProRes 422 HQ and ALL-Intra on external SSD |
| Video output | RAW over HDMI compatible with ATOMOS Ninja V/V+/Shogun and Blackmagic Video Assist 12G HDR |
| Streaming | RTMPS protocol via Wi-Fi or USB/LAN connection |
| Viewfinder and screen | 3.68 million dot OLED viewfinder, 3.0" free-angle touchscreen |
| Storage | Dual SD UHS-II slots + external USB-SSD recording |
| Body construction | Magnesium alloy in a matte black finish, sealed against dust and splashes |
| Body weight | 740 g (with battery and SD card) |
| Aim | Lumix S 24-60mm F2.8, L mount, 14 elements in 12 groups |
| Target opening | f/2.8 af/22 constant |
| Filter diameter | 77 mm |
| Target weight | 544 g |
Galaxy Andorra's expert opinion on the Panasonic Lumix S5 IIX + 24-60mm F2.8 kit
At Galaxy Andorra, we see this kit as a fully justified investment for audiovisual creators who need professional codecs and output flexibility without upgrading their camera body. ProRes recording to an external SSD, RAW output via HDMI, and integrated streaming make the Lumix S5 IIX the ultimate tool for demanding productions, while the 24-60mm F2.8 lens provides versatility and reliability in any shooting conditions.
Contents of the Lumix S5 IIX + 24-60mm F2.8 kit box
| Element | Description |
|---|---|
| Panasonic Lumix S5 IIX Body | DC-S5M2XE Full Frame Hybrid Camera, matte black finish |
| Lumix S 24-60mm F2.8 lens | L-shaped mount, with front and rear caps |
| Battery | Rechargeable lithium-ion battery via USB |
| Shoulder strap | Included with the body |
| Lids and covers | Body cap, shoe cover, and grip connector cover |
Why buy the Lumix S5 IIX + 24-60mm F2.8 kit from Galaxy Andorra?
At Galaxy Andorra, we are an official Panasonic distributor and can advise you on whether you truly need the advanced video features of the S5 IIX based on your workflow. Check availability and current pricing for the Lumix S5 IIX + 24-60mm F2.8 kit in our store and get your questions answered by our team of audiovisual production specialists.
Frequently asked questions about the Lumix S5 IIX + 24-60mm F2.8 kit
What does the Lumix S5 IIX offer compared to the Lumix S5 II in this kit?
It shares the same sensor and focusing system, but adds ProRes and ALL-Intra recording to an external SSD, RAW video output via HDMI, and integrated live streaming functions.
Do I need an external SSD to take advantage of the S5 IIX's video features?
Only for higher bitrate codecs, such as ProRes 422 HQ or ALL-Intra at high resolution. All other recording formats work directly on UHS-II SD cards.
Is this kit compatible with external engravers like ATOMOS or Blackmagic?
Yes, the Lumix S5 IIX allows RAW video output via HDMI to ATOMOS Ninja V, Ninja V+, Shogun CONNECT and Blackmagic Video Assist 12G HDR devices.
Can I stream live directly from this camera?
Yes, the Lumix S5 IIX incorporates streaming via the RTMPS protocol, configurable through the LUMIX Lab application, both via Wi-Fi and via USB or LAN connection.
Is the 24-60mm F2.8 lens the same as the one in the Lumix S5 II kit?
Yes, it's identical: same optical design, constant f/2.8 aperture, and sealed construction against dust, splashes, and freezing.
Does this kit include professional audio accessories?
Not included. For XLR recording or 4-channel audio, you will need the DMW-XLR2 or DMW-XLR1 adapter, available separately.
How does the Lumix S5 IIX differ from the Sony A7 V?
The Lumix S5 IIX offers professional codecs like ProRes and ALL-Intra on an external SSD and unlimited C4K/4K recording, while the Sony A7 V stands out with a burst rate of up to 30 fps and a higher-resolution sensor. The choice depends on whether your priority is professional video workflow or photo capture speed.
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